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Book Review: Set in Stone by Stela Brinzeanu

Wednesday, August 3, 2022

 



Thank you to NetGalley and Legend Press for allowing me to read this ARC!

Content Warning: death, violence, murder, rape (on-page), homophobia, misogyny, victim-blaming, outdated racial terms, racism, drowning, incest.


In medieval Moldova, Elina and Mira live totally separate lives. Elina is the wealthy daughter of a boyar, the aristocratic class that employ serfs and slaves, while Mira is a simple potter's daughter, used to going without a meal and trying to fight off the cold. But when the two are inadvertently brought together, there's an immediate spark between them, and they begin to realize that, as women, their stations in life might not be so different after all. As they come to terms with their feelings for one another, Mira and Elina both will have to make the ultimate sacrifice to achieve freedom -- and the possibility of spending their lives together.

Doesn't the premise for this book sound so great? Medieval Moldova is not a time nor place I've ever seen in another book, and it's a culture I'm not overly familiar with. Even more fascinating, the central relationship is between two women, and Set in Stone tackles many issues (some which we are, sadly, still facing today) over the course of Mira and Elina's journey. It saddens me to say I'm not able to give more than three stars here, though. For me, there were too many problems to bump this up to a full four stars. With that being said, let's delve into what worked for me, and what didn't. 

Firstly, Brinzeanu's writing style didn't click for me. It was a little too dry for my tastes, and when it wasn't, the similes felt strangely overwrought. There was more telling than showing, which grew a bit irritating over time. I wanted to actually feel as if I was experiencing the scenes, instead of being told of it secondhand. This problem persists throughout the novel, although I will say that the longer I read, the more acclimated to the style I became. 

Sadly, the characterization also struck me as a touch shallow. While I ended up loving both Elina and Mira, it took quite a while for it to actually feel as if you're seeing the events and emotions through their eyes. I also found the abrupt beginning to their relationship not only strangely paced, but I struggled with whether or not it made sense for young women of this time period and place. Personally speaking, I'm a huge fan of slow-burns, and I think there was more than enough time to work up to their relationship, and deepen it in the process.

That being said, I did root for both of them, separately and together, and this book offers a beautiful (and harrowing) insight into Moldavian culture, religion, class, and, of course, the lives of Moldavian women. There are some beautiful moments, suffused with nature magic and the tenderness of love, but once again, the writing style kept you at such a distance that it was sometimes hard to admire them fully. 

One of my other issues concerns a (very one-dimensional) side character, Dafina. Dafina is a Romani slave, and in the brief instances where she interacts with Elina, she comes off as stereotypically "mysterious," reading palms and telling fortunes. Had she been more developed, it might've not been an issue, but otherwise, she serves little narrative purpose -- well, she does serve a purpose, but it would be a huge spoiler to say how. Let's just say that the purpose is to further Elina's journey, and otherwise, Dafina is just a walking stereotype, there to make cryptic comments and save Elina's hide. The slur commonly used against Romani people is also frequently found in this book. As I'm not Romani myself, I can't say whether or not this is offensive in its historical usage (considering Set in Stone takes place in the Middle Ages). I would love some input on this; all I'll say for now is be forewarned, and it did make me uncomfortable when I was reading it.

Overall, I did like Set in Stone, but nothing about it blew me away. I'm not sure it's the kind of book that will stick with me for very long. If you're interested in the culture and the time period, I'd definitely say give it a shot, but as it stands, for me, this felt more like reading a screenplay. I will consider picking up whatever Brinzeanu writes next, however, as I imagine her second novel will improve upon the issues I've mentioned here! 

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