Astrid Parker has her life together. Although she's established herself as an ultra-successful interior designer, business hasn't exactly been booming lately, which is exactly why she needs all the exposure from Innside America that she can get. Filming an episode of the renovation of the local Everwood Inn, where Astrid is the lead designer, is just what she needs -- but what she doesn't expect is that she'll butt heads with the carpenter granddaughter of the inn's owner, Jordan Everwood. Jordan is dealing with her own personal issues and failure, and she's not in the best state of mind to deal with what she thinks of as Astrid's "uninspired" design for the inn. But against all odds, Jordan and Astrid find themselves growing closer, even as the showrunners encourage them to have on-camera conflict... and Astrid begins to realize that everything she thought she knew about herself might not be true after all.
I reviewed Delilah Green Doesn't Care on this blog previously, and if you've read that post, you'll know that I absolutely adore it. I'm not huge on contemporary romances, let alone romcoms, but it really struck a chord with me that no other romance has managed to before. Her characters were relatable, the romance was just the right amount of fluffy and serious, and the entire book was just plain fantastic. However, with all of that being said... I'm afraid to say that Astrid Parker Doesn't Fail simply didn't satisfy me in the way the first book did.
Since this book is, first and foremost, a romance, I think the main issue is that Jordan and Astrid never feel quite as convincing, or as interesting, as Claire and Delilah were. Even when you don't compare the two books, many of the scenes between them are not that engaging. While I like both of them individually, the sparks between them feel sometimes lukewarm. Most of Blake's books have a lot of infodumping, and this one was no exception, but while typically I don't mind it, it felt as if it was doing most of the emotional footwork for the characters in this, never leaving any subtlety to their emotions or motivations. Instead of letting us (and Astrid and Jordan) figure it out for ourselves, we're told how they feel, why they feel it, and then they're immediately sent on the way to fix it.
The scene that sticks out most to me is when Astrid and Jordan go to the theater, and it's probably the best scene in the book, but I also wondered why they were divulging all of these secrets to one another, alcohol notwithstanding. It just felt... a little strange, and they hadn't quite had the development to make it seem believable. The narrative is punctuated by issues like these.
It's not that this book is awful (it's not), but none of it is really convincing. I also have to address how corny this book often is, and not in a cute way. Of course, it's kind of a given that when you read a cute romance (particularly one with comedic elements), there will be some corny moments, but it's usually the kind of corny that makes you smile. In this case, it made me cringe.
One more thing: Blake's takes on race and gender in this one made me pause. She uses the term "women and nonbinary people" pretty much nonstop, and I hate this. I hate this so much. Why does she conflate women with nonbinary people? What about people who associate themselves with masculinity? What about transmac people, who still identify as nonbinary or genderfluid? I could just go on about this, and it just struck me as so odd. She also describes everyone race first in this book, which felt really weird.
So, would I recommend it? To Blake's fans, probably. If you're a big fan of the romance genre, I think you'll probably enjoy this one, even if it's not the best you've ever read. For me, it was a bit of a drag: not the best, not the worst. I'll leave it up to you wise people whether you decide to pick it up or not!
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