⋆⋆⋆½
Thank you to NetGalley and Putnam for allowing me to read this ARC!
Content Warning: violence, death, misogyny, sexual assault, colonization.
In 2019, Rozeena is haunted by memories of her past. Out of her three childhood friends -- Haaris, Aalya, and Zohair -- she is the only one who still lives in Karachi, the place her parents fled during the Partition of India in 1947. Although she's done her best to put the events of 1964 behind her, she still fears her only son discovering the truth of his background, and so it suits her just fine to stay away from everyone in her old life. But when Haaris calls her all the way from America, pleading for her to take his granddaughter under her wing, Rozeena is thrown back into the midst of a time she doesn't want to remember -- and its consequences that are still echoing to the present day.
Before Under the Tamarind Tree, I had only the vaguest understanding of India's Partition in 1947. It was a catastrophic event, engineered by British colonizers who were both too ignorant and too cruel to care for the millions of people under their watch, culminating in violence, confusion and, ultimately, the loss of between 200,000 to two million lives, and the displacement of nearly twenty million. Alam does a great job of weaving the events of 1947, 1964, and 2019 together, and although the primary focus of the novel is on Rozeena and her friends, the backdrop of the Partition and its trauma is ever-present, the catalyst that leads to many future tragedies -- some of which Rozeena, Haaris, Zohair and Aalya will never recover from.
The setting of Karachi is beautifully rendered, and despite the fact that I've never even set foot out of Texas, Alam's descriptions of it are so real that I could almost imagine myself there. She takes time and consideration to perfect the background, and Karachi itself almost becomes a character, a sort of living, breathing being that is utilized by the story and characters. Even if you have very little prior understanding of Pakistan, its culture, religions, or its history, Alam does an excellent job of providing us with just enough information that it doesn't feel as if you're being spoon-fed exposition.
Our main character is Rozeena; the book is entirely from her perspective, the other characters creating a sort of web around her, with her squarely in the middle of it all. In spite of Rozeena's narration and the many problems that she faces, however, she remains distant, and it was sometimes difficult to connect with her. It might be in part due to the rather simplistic writing style, particularly in the modern day, which is told through present-tense -- never a great vehicle for conveying emotion, if you ask me. I particularly liked the relationship between Aalya and Rozeena, and their efforts at reconnecting as they grow from children into young adults, and I would've actually liked to see more of it.
Under the Tamarind Tree is an exploration of regret. Rozeena is constantly plagued by guilt from her past, unable to let go of the mistakes she made that changed the directions of their lives forever. The brightest spot of the book is the blossoming relationship between Rozeena and Haaris's granddaughter, who offers her a way out of self-loathing and depression. She sees in this girl a chance at making things right, of healing the wounds that she and Aalya experienced as young women, and it is this beautiful bond that centers the story and, in the end, makes it feel complete.
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